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Dragged Across Concrete | The New Yorker

By Richard Brody

March 19, 2019

White-male rage finds its cinematic form in S. Craig Zahler’s crime drama “Dragged Across Concrete,” which opens Friday in theatres and on streaming platforms. It’s an extraordinarily effective act of artistic trolling, a self-consciously brazen provocation that also covers its tracks with winkingly transparent gestures. It’s also impressively stylish, and its style coheres remarkably well with its substance—perhaps even more than Zahler intended. His distinctive sensibility, as both writer and director, is the source of most of the pleasure of a movie that’s calculatedly harsh, cruel, and ugly, both in its drama and in its dogma.

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